Now I set out across a minefield,
space having taken all I owned, I’m starting over
from a point where every pebble may explode
beneath my shoe and the flowers blaze up
behind my body as I gasp for air,
although in this world I’ve never known
either flames or dragons or the fury of war
in these lands where the sky was always calm...
The limpness of a bird's legs in flight.
The place, the question, the question.
The place, the interest, the question.
There is the place.
There is what you do in the place.
There is your belief.
There is the faith in a knowing.
There is your instruction
by the gods.
There is your instruction as you are told.
There is your relief...
We have each tried to read to him, with no success, except for James, who read him all of Robert Louis Stevenson’s Travels with a Donkey in the Cévennes
I was there, in the first of the long-term care centres, when he finished the story,
And we all shared the narrator’s sadness about giving up his donkey,
71. Song for a Silent Treatment.
I told her, in plain language, how I felt.
And by that I mean I mumbled a poorly
paraphrased and already cryptic passage
from one of Yeats’s later poems.
When she asked, “What was that?” I said, “Nothing.
Nothing. It doesn't matter.” It mattered,
of course. “Ma vie est usée. Allons, feignons ... ”
Coin Exhibit, British Museum.
Their misshapenness strikes the table in tiny splashes,
like still-cooling splatters of silver. Stater and shekel,
mina and obol. Persia’s bullion had a lion and bull.
Athens an owl, Messana a hare, a jar for Terone, Melos
a pomegranate. Call it museum money, written...
How great unto the living seem the dead!
How sacred, solemn; how heroic grown;
How vast and vague, as they obscurely tread
The shadowy confines of the dim unknown! —
For they have met the monster that we dread,
Have learned the secret not to mortal shown.
E’en as gigantic shadows on the wall
The spirit of the daunted child amaze...